Yumi matsutoya cracked#
Yumi matsutoya mac#

Yumi matsutoya mac#

Other fixture types in the rig include GLP JDC1, Martin Mac Aura, Vari-Lite V元000 Spot and Robe Pointe. Robe Washbeam BMFL’s make up the majority of the rig (the ‘EV’ model, with a second gobo wheel instead of the animation wheel). The lighting rig is designed around concentric truss circles upon which huge motorised gauzes hang, the outermost encircling the entire stage area to give a massive 360-degree projection surface. My ultimate aim is always sympathy and synergy with the performance and the music, whilst remembering that the artist is the ‘raison d'être’.”

This was extremely helpful in determining the look of songs not only by the music, but also with an understanding of the meaning and lyrics - which are of course mostly in Japanese. “Manta wrote a beautifully descriptive document for me, explaining his vision for the show and offering an insight into his interpretations of feeling and concept. “The many staging elements gave me great creative scope and inspiration for the lighting looks to help build up the rich visual texture of the show. “I love that it is not just a stage performance, but also a highly creative, theatrical experience,” Cox continues. Cox was challenged with bringing this vision to life with light.

The ambitious creative vision for the tour was masterminded by Yumi’s husband ‘Manta’ Masataka Matsutoya. Her ‘Time Machine’ tour is not only a three-hour celebration of her most memorable songs, but also a deeper reflection on time and the relationship between past and future. Matsutoya is a national treasure in her home country, selling more than 40 million records and racking up 21 chart-topping albums over her 45-year-career. The project gave me the opportunity to draw on my diverse experience in designing lighting from a wide range of disciplines, from multi-media spectaculars to themed environments, as well as live music and TV.” “It’s an in-the-round spectacle, with silks and flying performers, motorised turntables and lifts, and is as much a theatrical show as a pop concert. “It’s a marvellously quirky show – Yumi materialises on stage riding a life-sized animatronic elephant, later there is an 'underwater' scene of ethereal jellyfish with aerial performers in shiny silver suits – it's bonkers, Japanese style,” says Cox. Japan – Multimillion-selling Japanese singer Yumi Matsutoya’s ‘Time Machine’ arena tour has kicked off in spectacular style with a stunning lighting design by Theo Cox.Ĭox, who during his 25-year career has created epic lighting for an eclectic mix of top international artists, was invited by Matsutoya’s team to create an impactful experience designed to fill Japan’s largest live music venues with wonder and joy. 'Theo Cox Designs Spectacular Arena Tour for Yumi Matsutoya' Matsutoya has influenced many female singers who have come after, showing that one can be successful and have artistic control without sacrificing anything.Worldwide Press Release - 26th November 2018 Her tours sold out, known for their elaborate costumes and stage shows, and her records continued to sell in the millions. From 1985 to the late '90s, she was more often in the Top Ten charts than out of it.

(Her husband continues to be her arranger to this day). Her single 'Anohi Ni Kaeritai' made the Top Ten the accompanying album Yuming Brand was a success and to top it off Arai married the arranger of the music from that album, Masataka Matsutoya, changing her name. Three years later, things began to click. Unlike a more folk- or guitar-based sound of the West, Yumi Arai's music was closer to the jazz-rock of Chicago or Steely Dan without the cynical edge.

Yumi matsutoya cracked#

Her first single barely cracked the Top 40, but then again neither had the debut singles of her contemporaries it wasn't about that at the time.

Her fans know her by her nickname, 'Yuming.'īorn in Tokyo in 1954, Arai made her debut in 1973 with the album Hikokigumo. She never fit the model of the cute, perky pop singer, but her fans are legion, allowing her to tour with a new album almost every year since she hit the big time in 1980. Her voice is instantly recognizable: rough and smooth at the same time, bitter and sweet, slightly nasal, but deeper and lower than most Japanese female singers (it has become more so over time). Yumi Matsutoya (formerly Yumi Arai) became one of the most famous members of Japan's singer/songwriter era in the 1970s, and continued to garner hits into the 2000s, a notable feat if one considers the careers of her Western contemporaries: Carly Simon, Joni Mitchell, Laura Nyro, and so on.